自媒体视频动效 · 人物后大字接全屏宣言
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全部 Opus 5.5 视频原视频@gandamu_ml6:23 实测复刻@skillry_dev1:00 全部视频 Skill
@gandamu_ml
游戏互动用你的 Agent 做出这类视频
装上下面任意一个 Skill，再让你的 Agent 照着做一条这样的视频。
- 免费视频178178 次安装7+6
提示词
I would like you to create a kickass, impressive 1990s style demoscene demo using this S3M track as the music. Prior to getting to work, please see how to best play and analyze the S3M track. This will be important since synchronization of effects and appropriateness of scenes to the musical vibe (and this song does have a variety of sections with different attitude) is essential to a great demoscene demo. Also prior to getting started, please research what kinds of effects, physics, etc. would be good to use in combination. Please use C/C++ -- with appropriate demoscene/embedded/console gamedev sensibilities to avoid needlessly bloating compile times -- with OpenGL. In some cases, blitting to surfaces in realtime may be appropriate.. while in others, using OpenGL or even shaders is appropriate as well. It should be planned and polished to be spectacular and shocking. This is Claude's way of really showing off to the world that it kicks ass.
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游戏互动1:24Create a cinematic browser-based 3D world that can be explored freely with a camera, focused on breathtaking landscapes and extraordinary original architecture. Fill the world with huge strange buildings, monumental structures, surreal ruins, cliffs, valleys, forests, water, and unusual ultra-detailed forms that feel mysterious and awe-inspiring. This is not a game and not combat-focused, the goal is pure exploration, atmosphere, composition, and visual discovery. Make the world feel epic, highly detailed, and completely original, with architecture that looks weird, ambitious, and unforgettabl…@LexnLinThree.jsGLSL
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Working title: Heatwave
Platform: iOS + Android
Engine: Unity
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Orientation: Portrait
Input: One-thumb touch controls
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⸻
Product vision
A fast, chaotic mobile arcade game where the player is constantly being pursued by increasingly aggressive police.
The player cannot directly attack.
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